Archive | February, 2012

Walking Dead – 209 – Triggerfinger

19 Feb

Does it make sense to say that I had forgotten what sweet zombie action was like?  I haven’t played a Resident Evil in ages, the zombie-movie trend has dried up and my zombie tv show got gun-shy on us.  But tonight reminded me why I like zombie fiction at all and, by extension, the reason I was ever excited about this show in the first place.  We had a little chat in the comments last week about how it looks like WD was heading toward the old thematic stand-by of “the real danger in the zombie apocalypse is other people, not the zombies” and that’s all well and good just so long as we never forget that the zombies are threat too.

It feels against my nature to praise something for letting the emotional baggage go in favor of violence.  Because the episode leaned so heavily on action, there was some excellent cinematography and a lot of dynamic angels and vibrant, kinnectic camera moves.  And the harrowing escape all took place at night, which lent the show some sorely missed drama.  I think this is a massive improvement over last week, even though there’s still a fair amount of the characters arguing over Shane’s intentions.

I was worried that we were going to spend the last couple episodes of the season looking for Lori and treating Lori’s injuries and blah, blah, blah.  Luckily, we tackle this one straight out the gate.  And Lori even manages to win back a few of the points that slipped off the board when tried to drive into town on her own.  I’m always impressed when some novel method of zombie trauma is displayed on screen – pushing one’s face through a busted windshield while the cheeks peel back: good one.

Back in town, Rick’s shitty decisions continue and they kill a few more people trying to escape.  The base assumption is always that the other people are going to start shit, so our guys start shit first.  With this episode and this write-up, I’m going to put that complaint to bed.  Look, sometimes you need an impulsive asshole to arbitrarily complicate things and/or move the plot forward.  So long as this does keep the plot moving, you won’t hear any more complaints from me;  watched LOST for christsake.  For example, I previously would have objected to the double anti-logic that lets Rick murder one guy and save another.  But this will clearly cause more friction within the group and we get the added bonus of the looming threat of a rescue mission being mounted against them.  I’m pro-this-most-recent-development.

The romantic relationships on this show still need some work, though.  Why exactly does Glenn blow off Maggie?  Because if they love each other then he can’t be as reliable to the people he loves?  I’m double-checking the math and NOPE, it doesn’t really work out.  He’s not saying that he’s avoiding the relationship because he couldn’t stand losing her (or her losing him), but that he’s somehow less able to survive when he cares about someone.

And then there’s Shane.  Possible rumor-related spoilers ahoy!  SHANE!  There has been some speculation that the character is not going to make it through the season.  It looks to me like they’re setting him up to go out with a bang.  Please please please let him go out in an ill-advised blaze of  glory, hopefully shooting as many of our heroes as possible.

Walking Dead – 208 – Nebraska

12 Feb

Welcome back Lame Brains!  I like to imagine a totally separate series called The Lame Brains, that had a total tragic episode this evening where two of its lead characters were killed off by an overly-protective good ol’ boy.  Feel free to call me on it if I’m wrong, but Rick’s totally in the wrong here, right?  I understand what the series is trying to suggest: Rick and Shane make similar decisions for the good of the group.  I patently disagree with the comparison, as Rick makes poor decisions in the name of making peace with irrational people and Shane makes purely utilitarian choices that only upset people who haven’t faced up to the reality of their situation.  I remain firmly on the side of the character who is made to shout his own defense throughout tonight’s episode.

This is a pretty grim episode of Walking Dead, even by its own very grim standards.  As a sign of how gallows the proceedings were: the sole moment of levity came when re-dead zombie lost his arm and Lori stops the truck to retrieve it.  This show has always had a problem rationing humor, and it usually resorts to the kind of nervous laughs that result from water-logged well-dwelling zombies or Daryl and Rick digging through the intestinal tract of a fallen zombie.  Very few nervous laughs tonight, just as there were very few zombies.  After the opening scene, I said to my ladyfriend “I bet that’s all the zombie action we see this week.”  And lo!

So what action or conflict drives this episode?  Beth taking ill and Hershel being unavailable to treat her?  Yes, “who’s Beth?” is an appropriate response to that statement.  It’s a weak story that sort of regurgitates the Carl-needs-medical-treatment story with a character we care nothing about.  Also, I’m going on record: no way is she suffering from shock – Beth was bitten or scraped or something when she went to embrace her mother’s bullet-ridden zombie corpse.  She has a fever!  I don’t know why zombie-ism isn’t the assumed diagnosis, but then I don’t live in their world.

There’s a scene early in the episode where everyone quickly weighs in Shane’s choice storm the barn.  T-Bone and Andrea both back that play, Dale stammers through half of an objection and Lori shrugs and says “yeah, but whatareyougonnado?”  It’s kind of a graceless way of reminding the audience that this is a group of people that just straight doesn’t get along.  But I’m still not totally sold on Dale’s perspective.  I’m a skipping record – I hear it too – but Shane made a morally justifiable choice as far as Otis is concerned.

One last thing: and this is a weird one.  Lori gets into her car and heads into town to collect her husband, but ends up in a pretty nasty wreck.  Women drivers, am I right?  She’s armed and it looks like there’s one zombie lurking around, so it shouldn’t been too much of a hassle for her to rescue herself, but pregnant ladies experiencing trauma on TV shows STRONGLY SUGGESTS that baby’s in trouble.  If that’s the case, it’s kind of a cheat.  But a cheat I’m almost okay with.  I’d rather Lori herself were killed in the accident – that Grimes family unit has been too tidy for too long.

And in “hey it’s that guy” news: one of those Philly boys played Renee on True Blood.  Thankfully, he traded his monstrous Cajun accent for a measurably less monstrous East Coast accent.

So, are you happy Walking Dead is back?  I was hopeful that the episode’s title “Nebraska” heralded a new goal for our heroes, but Rick spits it out as an asshole-ish way reject their new friends.  The promise of adventure fizzled with Rick’s pithy little refusal to help his fellow man.  He was such a proponent of adventure in the early-going: it was he that lead the journey to the CDC in the first place.  Now he’s stymied, paralyzed by a fear of raising a baby on the road.  He might be fucking up survival for his whole group, but he’s also sorta fucking up my TV show.

“But Patrick, I Don’t Even Read Comics”

11 Feb

I know you don’t blog-readership!  And I’m totally fine with that.  That’s part of the reason I’ve moved my weekly comics coverage to a brand new blog called Retcon Punch.  I’m really excited about it, as Drew and I have invited Shelby Peterson and Peter Kilkuskie to help us cover more series and produce new content every day of the week.  If you’ve ever been curious about comics or wanted to pick up a series, now is a great time to hop on DC’s relaunch.  We’re reading a ton of titles and have snarky things to say about all of them.  If anyone’s looking for recommendations, I’d be happy to oblige.

But all the effort I’ve poured into executing the one blog has pulled me away from this one.  And man, have I missed some crazy shit on TV over the last couple weeks.

Did you know there was an episode of New Girl with both Lizzy Caplan and Matt Besser?  Unfortunately, the show still stars Zooey Deschnel.

Did you know that Keifer Sutherland is coming back to TV in a show about having an autistic son that see that future or something?  It’s called Touch, but look out it’s helmed by Heroes’ producer Tim Kring (you know, the guy who blamed the decline in quality of Heroes on the fans).

Have you seen that there’s a damn war going on on Downton Abbey?  That’s right, even a drama of manners can’t go too long before introducing a violent world-wide conflict.  Yeah, like that would ever happen.

How about Alcatraz?  The good news is you don’t have to watch each episode to know what’s going on, the bad news is Jorge Garcia is only finitely charming.  Also, how is Sam Neill the weak link in this cast?

Or what about Smash?  I punished myself with the entire first season of Glee when it first aired and it looks like I’m ready to do the exact same thing here.  How is show better than Glee?  1) Not set in a high school 2.) reasonable amounts of compression and pitch-correction on the performances 3.) original songs 4.) Anjelica Huston 5.) Lloyd from FlashForward 6.) No Mr. Shchuster (I’m not looking up how to spell that character’s name).

AND GOD DAMN Walking Dead comes back tomorrow!  Look, I’ve missed writing about TV and I can only assume TV has missed me writing about it.  Heads up, stupid: I’m back.

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